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 From the 14th through 16th centuries, a formal study with a window and writing shelf became part of Japanese architectural design. A low rectangular board (oshi-ita) provided a place for appreciation of the tatehana style of ikebana, precursor to rikka. Later, a room having a tokonoma (formal alcove) developed from this style of room design. Rikka displayed in a tokonoma was an important way of welcoming guests, and it can be said that the rikka developed as a style suited for display in the space provided by the tokonoma.
Rikka today is divided into two main styles, contemporary rikka shimputai, and traditional rikka shofutai. |
Rikka Shimputai
Characteristics of rikka shimputai
This new rikka style, arranged with a knowledge of the composition and esthetics of traditional rikka, emphasizes expressiveness via the movement, brightness, and fresh impressions given by its floral materials. A wide variety of floral materials can be used, with contrast and the unexpected contributing to an overall effect of brightness, sharpness, and distinctiveness.
Rikka Shofutai
Characteristics of rikka shofutai
Rikka shofutai is arranged based on a traditional esthetic of rikka style, employing seven or nine main stems in composing a basic pattern. Complex and varied composition contribute to the character of this style, arranged to express the vast beauty of nature.
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